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Post by Deleted on Nov 28, 2017 4:43:30 GMT
What is the worst song you have ever heard? Must be a commercial hit somewhere in the world. . Mine has to be Anaconda by Nicki Minaj, she can't sing or rap and the song is a pile of filth.
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Post by Liberian Girl on Nov 29, 2017 20:18:30 GMT
I think the Ketchup Song was pretty awful, and I remember that had a brief moment of chart success. LOL. Anyone remember that?
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Post by Russg on Nov 29, 2017 22:36:34 GMT
There are thousands of terrible songs. Call me an old man, but 99% of music in the charts today is dreadful.
The worst song I've heard from a respected artist is "Bitch, I'm Madonna", which also features Nikki Minaj.
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Post by Deleted on Nov 30, 2017 6:21:18 GMT
Thank God, I would never call you an old man, just some one with common sense. It dismays me that 90% of chart music is just looped in beats, drum machines and sampling along with talentless skanks and shit hoppers talking or singing shit lyrics.
It is disapointing how few modern (Post 2000) artists play instruments, write meaningful songs (Yo yo shake that ass, my lovely lady lumps, juju on that beat, wtach me nae nae ARE NOT meaningful lyrics) or even write the songs. Just talentless people mainly from the ghetto or the middle class pretending to be ghetto talking shit to a looped in beat.
I think the rise of scantily clad and bitchy female singers (Katy Perry, Taylor Swift, Megan Trainer, Nicki Minage, Beyonce, Rhianna, Gaga and others) and also the annual rap dance one hit wonder (Watch me, Juju on that beat, Harlem Shuffle, Dougie, Joh Wall, Stanky Leg, Chicken noodle soup) and the usual shit hop songs about selling drugs or being in the club are proof we are heading backwards as people.
Some sex and partying is fine in music, but every song is about selling or doing drugs, fucking bitches with the most graphic descriptions and vulgar language and themes in it. If I had kids I would ban them from certain music genres (Rap and skank pop and probably most post 1995 American music).
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Post by HIStoric on Nov 30, 2017 7:17:35 GMT
There's always been good and bad music. It doesn't matter if 1967, 1987 or 2017 - that's the truth whether you like it or not.
The difference between then and now however, is that people forget the bad music of past decades and instead tend to remember mostly what was good. This creates a biased against music of the present day, where you can clearly see both the good and the bad. That's literally how it has always been and unfortunately it's going to continue that way.
Unfortunately society always ends up in a cycle where the music of the present day is often criticised by the older generations. In the 1960s you literally hear John Lennon joke and point this out at a Beatles concert. In that case, older people of that day strongly preferred more classic styles such as Sinatra and wondered "whatever happened to music, it used to have class, used to mean something and be made of REAL instruments now it's just this electronic noise and about getting girls!". Fast forward to the 1980s, older people heavily criticised the big artists of the day for using electronics like the synth over 'real' instruments "like The Beatles and Bob Dylan used to". Today the cycle continues, and it's going to continue well into the future. In 2065, I'll hear people criticise the music of that day and wish it used to be as good as it was in 2017.
Honestly I think it's quite unfortunate. I'm not usually one who stereotypes because I know many older people who can appreciate what is good about newer music. But to be frank, it's really irritating whenever I hear older people go "todays music is crap", no it's literally just because you don't like it and that's totally fine, but that doesn't automatically make it crap. It's no better than young people stereotyping old music as automatically bad because it sounds old or outdated. There's a lot of great stuff out there amongst the crap.
I really hope when I'm older, I don't end up like some of you and that instead I have a more open approach to the present music of that day.
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Post by Deleted on Nov 30, 2017 7:29:37 GMT
Good points Historic (I am 41 so hardly old, but I understand you are in your 20s, so 41 would seem old to you).
But the old music of Sinatra, Beatles and most 80s stuff (Well okay there was a lot of electronics by then) involved people writing real songs and playing instruments. Yes the 80s were synth heavy but you still had well written songs like Wishing Well, Careless Whisper, Man in the Mirror etc. But compare these eras to today, no instruments, minimal or no songwriting and just talking or making repeated sounds to a drum machine (Try Versace by Migos, or even try and translate what Lil Wayne is saying).
I think people in 2065 will remember music of the 1900s, 1960s and 1980s well, but probably not understand what the hell went wrong in the early 21st century. Even I like some modern songs - Redbone by Childish Gambino for instance and love old Beatles and Stones music and even early Rock n roll along with a lot of 1920s Jazz pop - but yes I am biased in the fact most of the music I listen to dates from the first 15 years of my life (1976 - 1990).
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Post by HIStoric on Nov 30, 2017 8:00:00 GMT
It dismays me that 90% of chart music is just looped in beats, drum machines and sampling along Isn't most of Prince's Sign o' the Times made up of stock samples and loops on a synthesiser, with a bit of actual guitar on top? Seems like it: "The song was constructed by Prince almost entirely on the Fairlight sampling synthesizer, which provides the primary keyboard riff and sampled electronic bass sounds heard on the track. Unlike some artists, Prince did not program new sounds for this song. He simply used the stock sounds the Fairlight offered, including the famed "orchestra hit" towards the end of the composition."And yet it remains one of the most critically revered songs in the entirety of Prince's catalogue. Probably one of your most favourite Prince songs too. Yet he's constructed it in the same manner that many artists today construct their songs... and you're criticising them for doing what Prince did. Interesting. Now of course we know Prince can play instruments, but my point is just because a song involves sampling or loops doesn't mean it's automatically a bad song, you can still make good songs by doing so. It is disapointing how few modern (Post 2000) artists play instruments, write meaningful songs (Yo yo shake that ass, my lovely lady lumps, juju on that beat, wtach me nae nae ARE NOT meaningful lyrics. No one, and I mean NO ONE actually consider those meaningful lyrics. Not every song has to have meaningful lyrics. Also, the artists you give as 'talentless', don't play instruments etc are pop artists. Pop artists are generally prized for their image, their stunning vocals, with their instrumental proficiency generally being limited to just one or two instruments tops. So no Katy Perry, Megan Trainer, Nicki Minaj, Beyonce, Rihanna generally don't play instruments either in the studio or on stage, but neither did Michael Jackson, Madonna, Whitney Houston, Cyndi Lauper, Olivia Newton-John, Donna Summer, Barbra Streisand, Janet Jackson, Cher, Diana Ross, Mariah Carey or other respected legacy pop artists. All of these artists primarily only offer great vocals, with the odd instrument playing here and there. No doubt many of these people are also great at coming up with ideas musically, but just need someone else to perform and translate it into an actual sound which is why they are respected by their peers. If you look towards other genres where artists playing their instruments has always been more common place, such as rock, alternative, alternative, singer/songwriter etc, you'll find that many, many of today's artists are very capable of playing instruments. And also the annual rap dance one hit wonder (Watch me, Juju on that beat, Harlem Shuffle, Dougie, Joh Wall, Stanky Leg, Chicken noodle soup) Dude that's literally always been happening: en.wikipedia.org/wiki/Novelty_and_fad_dances. I'm sure there were dance fads from when you were young that your parents cringed at too.
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Post by MattyJam on Nov 30, 2017 8:11:21 GMT
There's always been good and bad music. It doesn't matter if 1967, 1987 or 2017 - that's the truth whether you like it or not. The difference between then and now however, is that people forget the bad music of past decades and instead tend to remember mostly what was good. This creates a biased against music of the present day, where you can clearly see both the good and the bad. That's literally how it has always been and unfortunately it's going to continue that way. Unfortunately society always ends up in a cycle where the music of the present day is often criticised by the older generations. In the 1960s you literally hear John Lennon joke and point this out at a Beatles concert. In that case, older people of that day strongly preferred more classic styles such as Sinatra and wondered "whatever happened to music, it used to have class, used to mean something and be made of REAL instruments now it's just this electronic noise and about getting girls!". Fast forward to the 1980s, older people heavily criticised the big artists of the day for using electronics like the synth over 'real' instruments "like The Beatles and Bob Dylan used to". Today the cycle continues, and it's going to continue well into the future. In 2065, I'll hear people criticise the music of that day and wish it used to be as good as it was in 2017. Honestly I think it's quite unfortunate. I'm not usually one who stereotypes because I know many older people who can appreciate what is good about newer music. But to be frank, it's really irritating whenever I hear older people go "todays music is crap", no it's literally just because you don't like it and that's totally fine, but that doesn't automatically make it crap. It's no better than young people stereotyping old music as automatically bad because it sounds old or outdated. There's a lot of great stuff out there amongst the crap. I really hope when I'm older, I don't end up like some of you and that instead I have a more open approach to the present music of that day. I actually think it's different with this generation. For the first time in over 50/60 years, music isn't the number one medium to represent the youth of today. People ages 12-20 are far more interested in iPhones, Instagram, social media etc. Music has gone back to becoming about "tracks" rather than albums. This was the case in the 50s with bands like James Brown and The Rolling Stones, whose early work was mostly just single releases and has become the case again with the younger generation. Think about how important music was to kids in the 70s, 80s or 90s. There were whole movements. Britpop, punk, grunge, rave, rap, hip-hop, heavy metal. The whole Woodstock scene in the 70s, men with long hair, spliffs and peace, love and rocknroll. The 80s were the era of the megastars, you had teenage girls wearing bangles and hairspray trying to emulate Madonna. You had MJ who was literally worshipped as a God. In the 90s you had angst-ridden teens wearing Nirvana T-shirts. You had rap/Hip-Hop artists like Eminem who were considered the voice of a generation. But music isn't as important anymore. Sure, you still have your teen idols, your Justin Biebers and One Directions etc. But you don't have new movements or new genres that are appreciated on the same level or considered as important to the culture of the day as it was in the past. It's not entirely a bad thing though. For the first time ever, we have a new generation of kids who appreciate music from before they were born. It would've been unthinkable to grow up as a child in the 80s/90s and be listening to music from the 50s/60s. But don't forget, "popular music" is still a relatively modern phenomenon. Music as a vehicle to speak to the youth of the day is a relatively new concept, it only really started in the 50s, and for a while the possibilities seemed endless. But it's not new or exciting anymore and most of the possibilities have been played out. There is such a huge, diverse wealth of popular music now from the past, and for the first time, stuff that was recorded 20-30 years ago no longer sounds passe or old fashioned to younger generations. It's exciting, exotic, intriguing. It may sound different to what's making the charts today, but I don't think kids are even all that invested in the sound of 2017, so I think they're more likely to look back, using YouTube or Spotify to music that was released in the past, as there is too much great stuff to be ignored.
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Post by HIStoric on Nov 30, 2017 8:31:34 GMT
But the old music of Sinatra, Beatles and most 80s stuff (Well okay there was a lot of electronics by then) involved people writing real songs and playing instruments. Well Frank Sinatra wrote almost none of his songs, he didn't even play instruments. He just sang (and what a voice he had). You also need to keep in mind that a lot of new music does involve genuine recorded instruments, but many times they are heavily processed, distorted and played with to get specific sounds. That's actually some great stuff that's being worked on today - I remember on a Justin Bieber song a few years ago there was this really cool flute sound playing during the chorus. My jaw was on the floor when they pointed out it was actually a heavily distorted and processed vocal of Justin Bieber's vocals, they had this really cool BTS video on it and I thought that was really cool. At that point, you are showing genuine creativity and so long as the end result is good, I don't care whether it was real or electronic. Absolutely nothing wrong with choosing to produce purely electronic music too, just like playing a legitimate instrument it actually takes skill to produce new electronic music. Unless you want to simply use the basic stock sound (which isn't that common), it's not as easy as simply 'pushing a button' as so many people seem to think it is. Yes the 80s were synth heavy but you still had well written songs like Wishing Well, Careless Whisper, Man in the Mirror etc. But compare these eras to today, no instruments, minimal or no songwriting and just talking or making repeated sounds to a drum machine (Try Versace by Migos, or even try and translate what Lil Wayne is saying). Migos and Lil Wayne are far from the most respected artists of today, hardly the standard for music in the 2010s. That's like trying to claim Herman's Hermits are the standards for 1960s music or something. Rapping (or "talking" as you say) badly is no easier than playing an instrument badly. Just as being a good rapper can take as much talent and hard work as playing an instrument well. It totally depends on the person, as one or the other could come easier to them personally. I think people in 2065 will remember music of the 1900s, 1960s and 1980s well, but probably not understand what the hell went wrong in the early 21st century. Even I like some modern songs - Redbone by Childish Gambino for instance and love old Beatles and Stones music and even early Rock n roll along with a lot of 1920s Jazz pop In the words of Michael Jackson, "Great music and great melodies are immortal. Fashions change, culture changes, customs change. Great music is immortal." It doesn't matter if it's from 1932, 1962, 1992, 2012, 2032, there is (or will be) really great music from all those years and they will be remembered as time goes by. You are completely wrong with the bolded part, and I say that respectfully. You can go look at many of the best songs from 2000-2010 on YouTube right now, and you'll see the comments filled with people reminiscing on this song from their childhood, about how great it was, how much they love it etc. You even see young people who weren't still in diapers when the song came out loving it too. Many of these songs are over 10-15 years old now - more than enough time to properly view them in retrospect. yes I am biased in the fact most of the music I listen to dates from the first 15 years of my life (1976 - 1990). Exactly. You have to keep in mind that people are always going to prefer the music they grew up to. That's exactly the youth who grew up with Sinatra lovers disliked the Beatles and Stones. It's exactly why the lovers of rock'n'roll or early metal hated on artists who used electronics in the 1980s. It's why people who grew up with music in the 1980s are now hating the music of today, it's a never ending cycle. On the vice versa, it's also why the youth of today will happily listen to what's popular now, but when you play on an older artist from decades ago, they just don't care for it and would want to put on today's music. One thing I really try to do is keep an open mind to art, and I'm glad I have because it has opened my mind to so much great music - old and new - I might not have tried out in the first go. It's something I really don't want to lose as I get older.
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Post by HIStoric on Nov 30, 2017 9:00:14 GMT
I actually think it's different with this generation. For the first time in over 50/60 years, music isn't the number one medium to represent the youth of today. People ages 12-20 are far more interested in iPhones, Instagram, social media etc. Music has gone back to becoming about "tracks" rather than albums. This was the case in the 50s with bands like James Brown and The Rolling Stones, whose early work was mostly just single releases and has become the case again with the younger generation. Think about how important music was to kids in the 70s, 80s or 90s. There were whole movements. Britpop, punk, grunge, rave, rap, hip-hop, heavy metal. The whole Woodstock scene in the 70s, men with long hair, spliffs and peace, love and rocknroll. The 80s were the era of the megastars, you had teenage girls wearing bangles and hairspray trying to emulate Madonna. You had MJ who was literally worshipped as a God. In the 90s you had angst-ridden teens wearing Nirvana T-shirts. You had rap/Hip-Hop artists like Eminem who were considered the voice of a generation. But music isn't as important anymore. Sure, you still have your teen idols, your Justin Biebers and One Directions etc. But you don't have new movements or new genres that are appreciated on the same level or considered as important to the culture of the day as it was in the past. Those are some great ideas brought to the table! Certainly with the rise of technology and social media, I can think of new ways for youths to express their voice outside of music. Adding onto that though, I think it's good to keep in mind just how the personal computers, the internet and social media has changed completely changed not just how we listen to music but also how artists are able to make and distribute music too. It's not just the extreme availability of past music that has changed how the current generation listens to music, but also the way we listen to new music. Artists are no longer restricted to needing labels to put out music to the world. I could literally get out a guitar, record something, chuck it on Soundcloud and have a million listeners by the end of 2017, all without my instruments ever leaving the bedroom. You simply couldn't do that even 15-20 years ago. What this means is that more than ever before in history, there is far more music being produced released every week. Independent artists of much smaller calibers are releasing new music all the time online and people are listening to them, even if it's just in the thousands. The fact that so much new music is just mere taps away means that younger audiences can listen to a seriously wider variety of music, that is new, all the whilst largely ignoring the Top 40. There's so much stuff being released out there, it's insane. Great stuff by artists you'll never ever hear of. So we can get a greater diversity, greater variety of music from all sorts of genres being played and appreciated by the youth of today thanks to technology and the freedom it's given. Alongside other factors (like what I mentioned at the very beginning of my reply) I think it makes it harder for these movements we had in the past to materialise actually.
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TonyR
The Legend Continues
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Post by TonyR on Nov 30, 2017 9:30:49 GMT
I think you just have to look beyond the charts to find the good music now, especially because a lot of guitar based music doesn't chart and many artists if they're lucky they get one single from an album rather than 3-5 we used to get.
So, music by Liam Gallagher, Noel Gallagher, released this year for example.
Plus if you like your singer song-writers, then you have more of those now than ever. Adele, Sam Smith, Ed Sheeran for example.
I agree, the charts now are full of crap, but then I'm 44, I'm hardly the target audience.
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Post by respect77 on Nov 30, 2017 10:00:04 GMT
Theoretically new technology should make music more diverse but that's not what it did, apparently. Mainstream IMO is less diverse than ever. Even if theoretically Spotify gives you the chance to listen to a wide variety of music, people don't really do that. More obscure artists get very little number of listeners and the vast majority of listeners still go to those in the mainstream.
It's not true that back in the day you necessarily needed label backing to start a movement. In fact, most of those movements like punk, grunge, hip-hop etc. first started out underground with amateur cassette tapes being exchanged and then some label saw the business in it and gave an artist or two a record contract and then it became more widespread. But by then those movements already had their pretty solid subculture and audience. I'm not sure if today's artists have it better. Theoretically they should but then there is just "too much information". Most get lost in the noise before anything could ever become a movement.
I think Matty has a point that it may have to do with music not playing such a big role any more in youth culture. Not in shaping people's identity. I actually read an article not long ago musing about the same. It had a weird conclusion, though, that it's now food that has that community building and shaping ability that once music had. I guess the author meant all these food movements like vegan, paleo etc. I'm not sure about that and it would be kind of lame for a youth movement. LOL.
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Post by SoCav on Nov 30, 2017 10:41:41 GMT
Very interesting discussion.
Although great music is created in every era, I don't see why you'd think that the average quality of music cannot vary across time, especially when you focus narrowly on what's mainstream. For instance, some nice and very influential music was certainly made in the '40s and (particularly) '50s, but the overall output of mainstream music in that era is imo much less diverse and interesting than work from the '60s and '70s. Yeah, music is subjective in the end, but I think most people would agree about that.
Societal, technical and industry developments can all influence the quality of music output. I think Matty made some great points regarding the former. With regards to technical developments, I think the ease with which music can be created nowadays is a blessing and a curse. I still sit back in amazement sometimes that I can make an entire track and mix it decently in one evening in my home studio (which is not much more than a computer and a handful of instruments), and expose it to a potential audience of millions by uploading it to the web. But great as that is, it wouldn't be surprising at all if the ease with which music can be made and distributed nowadays inhibits the desire to master an instrument. Can't record a good take in one go? Just splice it together from a bunch of them in Pro Tools. Can't play a synth or piano very well? Just quantize and loop a pattern. Keep hitting a flat note? Ah, just autotune it. In the past, you'd have to make sure you mastered your instrument in order to get noticed in the first place, as well as record successfully (because the editing you could do was fairly limited). Nowadays, the incentive to do so is much lower and thus takes much more dedication. It's only natural that less people bother doing so as a result.
There is nothing wrong with using modern technology in music, it can be used as creatively as any analog instrument out there. But it does create a risk that people fall back on the easy way out, and I think that actually happens a lot.
Industry changes can also have a huge effect. First of all, in mainstream music the focus has shifted almost entirely to teenage audiences, and appearance is therefore more heavily emphasized than ever before. Secondly, money is made primarily from touring nowadays, so the art of crafting an unbelievable album from start to finish is disappearing. It's more efficient to just churn something out frequently as an excuse to tour behind (this also applies to legacy artists). These are just two examples of industry factors that I think both negatively influence the quality of the average mainstream music output.
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Post by HIStoric on Nov 30, 2017 10:43:30 GMT
Theoretically new technology should make music more diverse but that's not what it did, apparently. Mainstream IMO is less diverse than ever. Even if theoretically Spotify gives you the chance to listen to a wide variety of music, people don't really do that. More obscure artists get very little number of listeners and the vast majority of listeners still go to those in the mainstream. I dunno dude, if I look at my friend feed on Spotify right now, I can see people I know playing a variety of big artists and much, much smaller artists being listened to right now so... 🤷♂️ Soundcloud is very huge too, more than 175 million monthly listeners apparently, and such a website is largely used by independents and smaller artists. It's not true that back in the day you necessarily needed label backing to start a movement. In fact, most of those movements like punk, grunge, hip-hop etc. first started out underground with amateur cassette tapes being exchanged and then some label saw the business in it and gave an artist or two a record contract and then it became more widespread. But by then those movements already had their pretty solid subculture and audience. I'm not sure if today's artists have it better. Theoretically they should but then there is just "too much information". Most get lost in the noise before anything could ever become a movement. Of course, but having a label undoubtedly helped with distribution though and I was thinking more about individual artists over movements. Amateur recording situations have no doubt improved and become more accessible through computers too. As for whether artists today have it better or not in the grand scheme of things, there are definitely pros and cons to both the old and new ways. I think Matty has a point that it may have to do with music not playing such a big role any more in youth culture. Not in shaping people's identity. I actually read an article not long ago musing about the same. It had a weird conclusion, though, that it's now food that has that community building and shaping ability that once music had. I guess the author meant all these food movements like vegan, paleo etc. I'm not sure about that and it would be kind of lame for a youth movement. LOL. Got a link to the article anymore? I think it's a rather interesting point for you and Matty to bring up so I'm genuinely interested to read it (although that is a very... bizarre conclusion ).
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Post by HIStoric on Nov 30, 2017 10:46:28 GMT
Although great music is created in every era, I don't see why you'd think that the average quality of music cannot vary across time, especially when you focus narrowly on what's mainstream. For instance, some nice and very influential music was certainly made in the '40s and (particularly) '50s, but the overall output of mainstream music in that era is imo much less diverse and interesting than work from the '60s and '70s. Yeah, music is subjective in the end, but I think most people would agree about that. Yeah it can vary to a degree, I just wouldn't be so extremist to be like "It used to be so good, now almost all of it sucks!" etc.
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